精品推荐—老瓷器古钱币

青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。清康熙时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。

痰盂，就是指盛痰用的器皿，有许多人为此写过文章。这种盛痰用的器皿，多为低矮的圆形、敞口容器。现代的痰盂多用搪瓷、塑料等材料制成。

藏品介绍

中文名称：山水阁楼青花痰盂

英文名称：Character story Blue and white pot

类别：瓷器

规格：一件

品相：美品

瓷器内外都有明显的棕眼：釉面有密密麻麻似桔子皮样小孔，叫“棕眼”。这是由于器物釉层较厚，里面含有较多水分子，焙烧时还 体内水分子大量溢出，使处于熔融状态的釉层出现像毛细管一样的小孔，烧成后，温度降 低，釉汁还来不及将小孔填平补齐，釉面就凝固了，于是留下了许多“棕眼”。 棕眼是釉的一种缺陷，如果我们要求得到玻化后的釉面平滑均一的铺展在胎体上面， 那前提是窑炉内必须具有始熔的较高温度，才能保证胎体内的盐基氧化物诸如碳酸盐、硫 酸盐之类的分解氧化在熔融前及时排出，否则就会形成棕眼，缩釉点的出现，其原因是如 锅炉内始熔温度较低的话，胎体内的盐基氧化物不能及时得到分解氧化向外排出，而滞于 体内，待到进入高温烧成时，仍在继续分解氧化向釉面排出，而形成大小不同的气泡向上 顶篷而把釉的分子向四周挤压，破坏釉面的平滑而形成大小各异的棕眼、缩釉点，这是一 种情况。另外还有一种原因是由于胎泥的力捏不充分，胎体内留有细小的空隙和水份，受 到高温汽化后不断地向釉面膨胀，造成棕眼缩釉点的出现，这就是汝窑釉面的棕眼缩釉点 所形成的机理。

可以看见外面也有明显的棕眼，棕眼对于瓷器来说是一种瑕疵，可对于古玩来讲，它是一件十分开门的瓷器，由于这种大小不一的棕眼是很难仿制的，它是柴窑的特征，如今的电窑也烧不出这效果，而且现在都是买的仿古瓷器，再进行做旧，也不会有这样的橘皮釉。

橘皮釉也称“橘釉”、“橘皮纹”，指瓷器釉面不够平整，缺乏光泽，呈现橘皮的凹凸感。

【橘皮釉】瓷器釉面不够平整，缺乏光泽，呈现橘皮的凹凸感称“橘皮釉”，也称“橘釉”、“橘皮纹”。橘皮釉的产生是因釉浆的高温黏度大，流动性差，或釉层太薄，或釉层不均匀，或烧成温度过低，使釉熔化不良，或烧成时冷却过慢，造成釉面析晶，或坯体表面修整不善，釉不足以弥补坯体表面的不平等，都是造成橘皮釉的原因。明宣德景德镇窑瓷器的釉面，由于工艺原因，多有橘皮纹。

China这个英文最早的解释是瓷器的意思，而当时出口是以青花瓷为主的，中国也被国外定位瓷器之国，现在China就是中国的意思，可见青花瓷的影响力之大，它在瓷器中的地位好比大熊猫，国宝，而青花瓷是最能体现中国的泼墨山水画韵味的，这件元青花庭楼阁宇，微中见大，错落有致，非胸中有丘壑者不可画之，青花颜色鲜明层次分明，浓淡处理十分到位，精美绝伦，青花瓷由于存世量稀少已经被评为国宝瓷器，能见到都实属不易，想收藏除了有雄厚的经济实力，更多的还是要靠缘分。

崇宁重宝，中国古钱币之一。北宋徽宗崇宁年间铸（公元1102年~1106年）。面文“崇宁重宝”隶书对读，古朴方正，多为光背，少数背有星、月、十字等。

崇宁重宝是北宋末年比较重要的钱币之一，也是北宋钱币中版别最多的钱币。据统计，崇宁重宝的版别大概在300多种，每年都有不同版别的崇宁重宝被行家或藏友发现。

不同版别的崇宁重宝放在一起具有极高的收藏和观赏价值。

崇宁重宝系北宋徽宗崇宁年间铸（公元1102年~1106年），币质有铜、铁、银。 崇宁重宝为隶书铜、铁大钱，制作多亦精好，存世较多.

崇宁重宝钱文隶书，古朴方正，严谨庄重，法度固定。有人认为，崇宁重宝钱文也是徽宗所书，另有一说，谓其面文为蔡京所书，但史无定论。

藏品介绍

中文名称：崇宁重宝

英文名称：Chongning heavy treasure,

类别：杂项

规格：一枚

品相：美品

仔细观察这枚钱币，经过时间的洗礼，岁月的冲刷，这枚钱币的颜色已然不同。正面隶书字体，古朴方正，“崇宁重宝”四个繁体字熠熠发光。字里行间留在钱币上的，是腐蚀钱币的铁锈，绿色的锈迹让人一看就知道它的历史年头，绝非后代人工刻制而成。钱币的中央部分，是打孔的正方形图案，这种钱币铸造形状便于老百姓将其串起来挂在身上，不易丢失，背面则没有印制任何的字体。据悉，崇宁重宝有百余种版别，钱币背面有的是花穿、决文记号，也有的是星月纹形状，此钱币背面没有任何特殊的标记，也属罕见版本之一。

这枚上千年的崇宁重宝，为圆形方孔铜质钱币，大小正确，钱币正面“崇宁重宝”四字隶书对读，字体端庄工整，笔画圆润饱满，挺拔俊秀，此币光背，穿孔干净，钱币整洁，古朴方正，法度固定，严谨庄重，包浆自然古老，此币虽经历了无穷岁月，但纹路依然清晰可见，颇为难得。崇宁年号钱，作为北宋徽宗名泉之一，集书法艺术和铸造艺术于一体，具有重要的史料价值和艺术价值，也越来越为收藏界所重视和关注。

说到钱币的历史，公认是由玉璧发展而来的，在没有铜币值钱就是用玉璧来做交易的，而古人认为天是圆的地是方的，所以制作了外圆内圆的玉璧用来礼天，这枚钱币就是一枚外圆内方的钱币，象征天地乾坤，既有历史研究价值，也可以驱邪避恶，保平安。

袁大头”，是对铸造于民国初年镌有袁世凯侧面头像壹圆银币的一种俗称。因其首铸于民国三年，又有称“民三”者，此类别称由来已久。作为民国军阀银币的领头羊，“大头”系列对钱币收藏爱好者来说，并不陌生。“袁大头”银元的诞生，也是银元发展的必然结果。在辛亥革命后，袁世凯为了解决军费和提高个人政治地位而发行的银元货币，因这些银元铸有他的侧身图像而得名。

袁大头”代表了中国近代的货币文化，反映了我国近代历史、经济、金融的兴衰和沧桑，具有很高的艺术观赏价值和文物价值，也具有一定的保值和升值功能。目前民间留存的“袁大头”数量已经不算太多，而且银属于贵金属，收藏风险较小，非常适合投资和收藏。

藏品介绍

中文名称：民国三年袁大头

英文名称：Yuan dazhong in the third year of the republic of China

类别：杂项

规格：一枚

品相：美品

民国三年版正面为袁世凯侧面像，上列“中华民国三年”。“年”字后没有“造”字，其他年版都在“年”字后面有一“造”字。三年版“民”字中有一“点”，而其他年版民字无“点”。三年版有老模和新模两种模具，老模具为185道边齿，新模具为170道边齿，铸量都较多，属普通流通版。另外三年袁大头还有“O”记版，粗发版，三角圆版，开口贝版，T”字边、鹰洋边等等。

背面：嘉禾二本，左右交互，下系结带，中铸“壹圆”二字。这些年，在银元收藏界，有一个名字，始终不乏耳闻，那就是“袁大头”，特别是这几年，随着金银价格走强以及市场的火爆，许多老银元的市场价格都有了多倍的涨幅，其中部分版本特殊，品相良好，存世稀少的珍品，更是不可估量。

袁大头中的极品民国三年袁大头，这一年的袁大头发行量最少，因为他在当时是一个错版的存在，一般的袁大头都是七个字，多了一个‘造’字，在所有袁大头中只有民国三年的袁大头是没有造字的，在看红圈所标记处，民字是多一点的，这也是与其它钱币很大的一个区别，下方红圈标记处，我们可以看到袁大头人像与内齿接触的地方是少一个内齿的，这也是内行人鉴定钱币真假重要的一点，这枚钱币整圈就少这一个内齿，当时的目的就为了来防伪的，而后期仿制的钱币是没有注意到这个细节的。

只要百度搜索银币，就会介绍是以袁大头为代表来表现银币，可见其地位之根固。这枚钱币包浆自然，底光柔和，且字迹图案清晰，内齿规整，无连齿现象，整体十分美观，为什么钱币爱好者喜欢收藏有包浆的钱币呢，因为你把包浆洗掉，白银又会开始新的氧化过程，且包浆是鉴定新老钱币最好的依据。有了包浆的钱币，就像是有了一层保护层，几乎不再氧化，更好保存收藏，这枚民国三年袁大头版本特殊，极其稀有，适合收藏，传世。具有极高的历史研究价值，贵金属理财属性，含银量很高，是钱币收藏中的黑马。

英文翻译：Blue and white porcelain, also known as white blue and white porcelain, is often referred to as blue and white porcelain. It is one of the mainstream varieties of Chinese porcelain, and belongs to underglaze color porcelain. Blue and white porcelain is made of cobalt ore containing cobalt oxide as raw material, which is decorated on the ceramic body and then covered with a layer of transparent glaze. Cobalt material is blue after burning, with strong coloring, bright hair color, high burning rate and color stability. The original blue and white porcelain appeared in Tang and Song dynasties, while the mature blue and white porcelain appeared in Hutian kiln of Jingdezhen in Yuan Dynasty. The blue and white of Ming Dynasty became the mainstream of porcelain. It reached its peak during the Kangxi period of qing Dynasty. In the Ming and Qing Dynasties, it also created blue-and-white colorful, malachite-green glaze blue-and-white, soya-green glaze blue-and-white, blue-and-white red, yellow-ground blue-and-white, blue-and-white and other derivative varieties.

Spittoon is a vessel used to hold phlegm. Many people have written about it. The vessels used for holding sputum are mostly low round open containers. Modern spittoons are made of enamel, plastic and other materials.

The collection is introduced

Chinese name: Spittoon with green flowers in landscape attic

Character Story Blue and white pot

Category: Porcelain

Specification: one piece

Appearance: Beautiful

There are obvious brown eyes inside and outside the porcelain: there are holes in the glaze like orange peel, which is called brown eyes. This is because the glaze layer of the ware is thick, which contains more water molecules. During roasting, a large amount of water molecules in the body overflow, making the glaze layer in the molten state appear small holes like capillaries. After firing, the temperature drops, and the glaze juice has no time to fill and fill the holes, so the glaze solidifies, leaving many brown eyes. Brown eyes glaze is a defect, if we ask for vitrified glaze after smooth uniform spread out on the tire body, the premise is inside the kiln must have a high temperature of the melt in the beginning, to ensure the base of the oxide in tire body, such as sulfur acid salt and carbonate, decomposing in time before the molten oxide, or it will form brown eyes, and shrinkage of glaze, the reason is that such as boiler starting melting temperature is low, tire body base oxide exudes, cant get the oxidation decomposition in time and confined by the body, to enter the high temperature firing, continued in decomposing oxidation to glaze, And form the bubble with different size to go up canopy and the molecule of glaze to squeeze all round, destroy the smooth of glaze and form the brown eye of each different size, shrink glaze spot, this is a kind of circumstance. In addition, there is another reason is that the force of the tire clay is not enough, the body has a small gap and water, after being vaporized at high temperature, constantly expand to the glaze, resulting in the appearance of the brown eye shrinkage glaze spot, which is the mechanism of the formation of the brown eye shrinkage glaze spot on the glaze of your kiln.

Can see outside also have obvious brown eyes, brown eyes for porcelain is a kind of flaw, but for antiques, it is a very open the door of China, due to the size of brown eyes is very difficult to fake, it is to maintain the characteristics of todays electric kilnt also burn out this effect, and are now buy antique porcelain, and then to do old, also wont have this kind of orange peel glaze.

Orange peel glaze also calls orange glaze, orange peel grain, point to porcelain glaze is not level off, lack luster, present the concave and convex feeling of orange peel.

[Orange peel glaze] Porcelain glaze is not smooth enough, lack of luster, showing the concave convex feeling of orange peel is called orange peel glaze, also known as orange glaze, orange peel pattern. Orange peel glaze production is due to the high temperature glaze slurry viscosity, liquidity is poor, or glaze layer is too thin, or uneven glaze layer, or sintering temperature is too low, the melt glaze, or cooling slowly when burnt, glazed crystallization, improper or body surface conditioning, on the surface of the glaze is not enough to make up for the billet surface inequality, are the cause of the orange peel glaze. Ming Xuande Jingdezhen kiln porcelain glaze, due to technical reasons, there are more orange peel lines.

China the meaning of the English is the explanation of the earliest porcelain, at a time when exports are in blue and white porcelain is given priority to, China has also been abroad positioning China country, China is now in China, the influence of blue and white porcelain, its status in China is like a giant panda, a national treasure, and the blue and white porcelain is the most can reflect the lasting appeal of Chinese ink landscape painting, the yuan blue and white castle in the atrium space, small in see big, strewn at random have send, must be in gully is painting, distinct, bright blue color shading is very in place, elegant unsurpassed, because only a few of blue and white porcelain has been rated as national treasures of China, to see all is not easy, Want to collect besides have abundant economic actual strength, more still want to rely on predestination.

Chongning treasure, one of the ancient Chinese COINS. It was cast during the Chongning Reign of Huizong in the Northern Song Dynasty (1102 ~1106 AD). Official script of Chongning heavy treasure was read opposite, simple and upright, mostly with light back, a few with star, moon, cross, etc.

Chongning treasure is one of the most important COINS in the northern Song Dynasty. According to statistics, Chongning chongbao edition probably in more than 300 kinds, each year there are different edition chongning chong Treasure experts or friends found.

Chongning different edition of the heavy treasure together with a high collection and ornamental value.

Chongning chongning treasure is the Northern Song Dynasty Emperor Huizong Chongning cast (AD 1102 ~1106), COINS are copper, iron, silver. Chongning heavy treasure for official script copper, iron big money, making more also fine, there are more.

Chongning heavy treasure money clerical script, simple and upright, rigorous solemn, fixed law. Some people believe that chongnings emphasis on qianwen is also the writings of Huizong, and some say that its writings were written by CAI Jing, but history is inconclusive.

The collection is introduced

Chinese name: Chong Bao Chong Ning

Chongning Heavy Treasure,

Category: Miscellaneous

Specification: one coin

Appearance: Beautiful

Carefully observe this coin, after the baptism of time, the erosion of the years, the color of this coin has changed. Front clerical script font, simple and square, Chongning heavy treasure four traditional characters shining. What remained on the coin between the lines was the rust that had corroded it, and the green rust made it clear at first glance that it was not made by hand by its descendants. The central part of the coin was a square with holes punched in it. The coin was cast in a shape that made it easy for people to string it up and hang it on their bodies without losing it. It is reported that Chongning treasure has more than one hundred kinds of edition, coin back is a lot of flowers wear, text mark, also a lot of star and moon grain shape, this coin back without any special mark, is also a rare version of one.

This thousands of years of tang ning heavy treasure, for round square hole copper coin, size is correct, positive ning bao COINS official script to read four word, font dignified neat, stroke plump, tall and handsome, this money back light, perforated clean, COINS and tidy, of primitive simplicity, founder testimonies fixed, rigorous solemn, natural old wrapped slurry, the currency has undergone the endless years, but the lines are still clear, very rare. Chongning, as one of the famous springs of Huizong in the Northern Song Dynasty, has an important historical value and artistic value.

Said to the coin of history, is recognized by the developed jade, in the absence of copper coin is worth to do deals with jade, and the ancients think day is round the ground is square, so make the outside circle within a circle of jade to day, this coin is a cylindrical inner side of the coin, symbol of heaven and earth, both historical research value, can also be evil evil, to be safe.

Yuan Tou , is a popular name for the engraving of yuan Shikais profile head in the early Republic of China. Because its first cast in the republic of China three years, also called min SAN, such nickname has a long history. As the bellwether of the silver COINS of the Republic warlord, Big Head series is not strange to coin collectors. The birth of the Yuan Big head silver dollar is also the inevitable result of the development of silver dollar. After the Revolution of 1911, Yuan shikai issued silver COINS in order to solve the military expenditure and improve his personal political status. These silver COINS were named after the image of his side.

Yuan Tou represents the currency culture of modern China, reflects the rise and fall and vicissitudes of Chinas modern history, economy and finance, and has high artistic appreciation value and cultural relic value, as well as the function of maintaining and appreciating value to some extent. At present, the amount of Yuan Tou retained by the people is not too much, and silver is a precious metal, which is very suitable for investment and collection.

The collection is introduced

Chinese name: Three years in the Republic of China Yuan Tou

Yuan Dazhong in the third year of the Republic of China

Category: Miscellaneous

Specification: one coin

Appearance: Beautiful

The front of the third edition of the Republic of China for Yuan Shikai profile, listed above three years of the Peoples Republic of China. After the word year there is no make word, other version of the year word after a make word. In the third edition, there is a dot in the character min, while in the other editions, there is no dot. The third edition has the old mold and the new mold two kinds of mold, the old mold for 185 edge teeth, the new mold for 170 edge teeth, casting quantity is more, is a general circulation version. In addition three years Yuan head also has O record version, rough hair version, triangular round version, open shell version, T word edge, Eagle edge and so on.

Back: Jiahe two, left and right interaction, lower binding belt, casting one yuan in the middle. Over the years, in the silver collection area, has a name, is not always hear, that is big head yuan, especially in recent years, as the gold and silver price strength and market, and many there were more than the market price of the old silver dollar rise, some of these special version, good appearance, only rare treasures, is immeasurable.

Big head, big head in need three years of the republic of China yuan yuan this bulk circulation of at least one year of yuan, because he was a wrong version of the existence of general yuan big head is seven words, more than a made word, in only three years of the republic of China of all bulk yuan yuan big head there is no word, looking at the red circle marked place, people, word is a bit more, this is also with the rest of the money, a big difference between the red circle below, we can see the big head portrait yuan less contact with the inner gear is an inner gear, it is also a professional identification of true and false coin important, this coin within the whole circle of the less a tooth, At that time, the purpose is to prevent counterfeiting, and the later copy of the coin is not aware of this detail.

As long as Baidu searches for silver COINS, it will introduce the silver COINS represented by Yuan Tou, which shows its solid status. This coin wrap oar nature, bottom light is soft, and handwriting design is clear, inside tooth is neat, without even tooth phenomenon, whole is very beautiful, why does money lover like to collect the coin of wrap oar, because you wash a bag, silver can begin new oxidation process again, and wrap oar is the basis with best appraisal new old coin. With the paste of the coin, like a layer of protection, almost no oxidation, better preservation and collection, the three years of the Republic of China yuan Tai edition special, extremely rare, suitable for collection, handed down. With extremely high historical research value, precious metal property, silver content is very high, is the dark horse in the coin collection.